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Investigation launched after blog post claims judges were caught on video with prostitutesShanghai’s top court has promised an investigation into allegations that court officials have patronised prostitutes and committed other potential violations of Communist Party discipline.文件倉The five officials from Shanghai’s Higher People’s Court became the latest party cadres embroiled in accusations of sexual impropriety after an anonymous blogger released a video that it said showed them out on the town with prostitutes.Court authorities confirmed that Chen Xueming , a chief tribunal judge, and Zhao Minghua , a deputy tribunal chief judge, were among those under scrutiny.Surveillance footage included in the blog post appeared to show a group of men coming and going from a Shanghai night club, with young women on their arms. The blogger said the officials had visited a night club at the Hengshan Resort in Shanghai’s Pudong New Area on June 9 and booked the biggest private room available.They chose five prostitutes to entertain them. Around midnight that night, the officials took the women to separate guest rooms on the third floor, the post said. The women were seen leaving the rooms about an hour later, but the officials left the resort together the next morning.The blogger said the night on the存倉town was just one example of the officials’ extravagant lifestyles. It said Zhao owns at least four flats in downtown Shanghai and frequents two local night clubs: the Yinzun club in Pudong and the Dream in Shanghai club in Changning district.The blogger said he had more videos of the same group of cadres and was willing to share them with disciplinary officials.The post spread quickly online yesterday where it was met with outrage from internet users.“The officials should be removed from their post immediately,” a Shenzhen internet user named Kou Liyue said. “The Shanghai Higher People’s Court is one of the most high-profile courts on the mainland and its officials went to brothels together.”The claims were only the latest in a series of sex scandals involving government officials.Last month, Lei Zhengfu , the former party secretary of Chongqing’s Beibei district, was sentenced to 13 years in prison after a video was released on the internet showing him having sex with a young woman.The case led to the downfall of more than 20 officials at various agencies and state-owned enterprise in Chongqing. During his trial, Lei, 55, denied accepting a 3.2 million yuan (HK$4 million) bribe and retracted a confession he had made saying he had been suffering high blood pressure during questioning.自存倉

Source: Milwaukee Journal SentinelAug.新蒲崗迷你倉 02--PORT WASHINGTON -- It's a head turner.A 130-foot yacht that pulled into the Port Washington Marina on July 20 -- the day thousands of people pack the town for Fish Day -- has locals wondering if a drug kingpinjust floated into town."It has been nonstop questions for us since the boat got here," 66-year-old Tom Weickardt said, sitting the aft deck of his luxury craft, Tranquility. "People are not used to seeing a boat this size here."Standing on the yacht smoking his Montecristo cigars, Weickardt might give some people the impression he is a mob boss, but most people see him walking around barefoot in his green Paradise Island Bahamas T-shirt and cargo shorts and don't realize he is the owner."Do they ever come out," one woman hollered down to some of the workers on the boat. "Oh, you are not supposed to talk to me are you -- but just tell me, are they young or old," she asked earlier this week.Weickardt grew up in Milwaukee and graduated from Custer High School, leaving Wisconsin when he was in his early 20s. He moved back to Wisconsin with his wife and youngest son 16 years ago and now lives in Whitefish Bay.Weickardt owned his first business in Oklahoma City when he was 28 years old and he raced cars all around the world for 10 years. He calls himself an entrepreneur and has dabbled in many business opportunities, which he said is what the Tranquility was for him.He bought it in 2006 as a charter boat and had a crew of seven on the boat offering excursions in the Caribbean in the winter and the Northeast in the summer. When the economic crisis hit in 2008, not many people could afford to pay more than $100,000 for a weeklong on pleasure cruise."The charter business was just terrible," he said. "I put the boat up for sale in 2009, but the boat market had just tanked, too. It has been on the market ever since."For the past five years, the boat was in Ft. Lauderdale, Fla., with a minimal crew, but after years of wear and tear and minimal upkeep from the crew, Weickardt decided it was time to bring the boat to Wiscomini storagesin and get the Tranquility up to yachting standards again. Everything needs to be scrubbed and there are some cracks here and there that need touched up, he said.Asking price: $4.9 millionWeickardt is hoping he can sell the boat, and even has a prospective buyer arriving in Port Washington to see the Tranquility in person. He has the boat listed for $4.9 million. He originally bought her for $5 million and immediately put another $3 million into the boat to upgrade and remodel the interior.If the boat doesn't sell, Weickardt said he is exploring the idea of chartering the boat on the Great Lakes. Or, as the owner of the River Club in Mequon, he is considering using the yacht as part of package deals with the club. It could be used for cocktail parties and photo shoots for bridal parties, he said.Alex Becker, 18, works at the Port Washington Marina and saw the Tranquility pull in on July 20. When he went down and started asking Weickardt about the yacht, the young man found himself with a second job to make extra money for college.The days he is not working at the marina, Becker is down on the yacht scrubbing."When I first saw the boat come in, I was like every kid, thinking, 'Wow, that thing is huge,'" Becker said. "Now so many people walk past and ask if I'm the owner's son and ask me about the boat -- even my friends walk past and say, 'I didn't know your family had that much money.'"The Tranquility will be moored at the marina through the winter -- or until the boat sells, Weickardt said.Now that he has owned the boat for more than six years, Weickardt said he is "looking forward to moving on."However, he can't see himself retiring, yet. He said he will be involved in the River Club for many years, and he'll be involved with the boat until he can find someone to buy it."It takes a lot to maintain a boat like this," he said. "We are going to be down here scrubbing for at least the next two months."Copyright: ___ (c)2013 the Milwaukee Journal Sentinel Visit the Milwaukee Journal Sentinel at .jsonline.com Distributed by MCT Information Servicesself storage

Source: The Santa Fe New MexicanAug.mini storage 02--It's as dramatic a portrayal of Pagliacci as you've seen, despite the fact that there's no music. The askew playbill image of the clown -- leaning on his drum, his right hand clutching a formidable stick, a single painted tear falling from one of his eyes -- is pinned by a deeply plunged, blood-releasing dagger. The drawing calls up at once the tragedy of Ruggero Leoncavallo's familiar opera, but it carries something more: the graphic terror of horror comics.Welcome to The P. Craig Russell Library of Opera Adaptations, a three-volume collection of the respected graphic illustrator's takes on operatic stories. Recently reissued by graphic-arts publisher NBM, the books reflect not only Russell's classic-comic and illustration influences but also his love of story and music. Done over a period of some 30 years, the volumes include, in addition to I Pagliacci, adaptations of Parsifal, Ariane and Bluebeard, and Pelleas et Melisande, with illustrations of lyrics to songs by Gustav Mahler and Hugo Wolf. One volume is dedicated to Mozart's The Magic Flute. Volume 3, which includes a Godfather-influenced reading of Mascagni's Cavalleria Rusticana, sports a cover that shows Salome dancing as a shadowy arm lifts a bloody platter bearing the head of Jochanaan.Russell, who's also done a hard-to-find four-volume adaptation of Wagner's Ring of the Nibelung for Dark Horse comics, credits dual interests in music and drawing for the operatic side of his career. "I was into classical music from kindergarten on," he told Pasatiempo. "The music was dramatic and wonderful fun. It always made sense to me. I took piano lessons and checked out all the classical records from the library I could get." But he wasn't so much into opera as a kid. "I had two [operatic] records when I was in junior high: Andre Kostelanetz conducting highlights from Aida and Kostelanetz doing orchestral music from Carmen."His entry into comic drawing was exceptionally fortuitous. His father, who owned a shoe store in Russell's hometown of Wellsville, Ohio, needed someone to do an advertisement and heard of an artist that had just moved back from New York. That artist was comic illustrator Dan Adkins, who had worked on the now-classic comics Creepy and Eerie as well as Marvel's Doctor Strange. Adkins wasn't interested in doing his father's advertisement, but was interested to hear that he had a 19-year-old son who was studying art and had 8,000 comics in his attic. Adkins hired Russell as part of his inking and coloring team, promising him he could get him into the Marvel family. In 1976, Russell did his own rendition of Doctor Strange for Marvel after contributing to Marvel's popular Amazing Adventures series.While living in New York City in the early 1970s, Russell was approached by a childhood friend, Patrick Mason, now a professor of voice at the University of Colorado in Boulder, with a project. "He'd written an adaptation of Parsifal for comics. I was always looking for a good story to illustrate, and I was listening to opera. It was a natural thing to do." Russell's first opera project benefited from the rise of "ground-level" comics, the independent comics movement that bridged the gap between commercial comic compself storagenies including Marvel and DC and the underground, adult comics of the day. One of the leading ground-level publishers, Star*Reach, published Parsifal, and Russell was on his way.Russell has stayed away from contemporary operas for licensing and copyright reasons. And not all operas, he said, are suitable for graphic-novel adaptation. "Some operas survive on the beauty of their music. To work as graphic novels they must have good librettos. Some [operas] are just too silly. They have to have something literary to work with, something to play with." Russell's adaptations stay generally true to the story lines, though their panel serialization necessitates some liberties with the text. Their staging can be quite a bit more fantastic than what's seen in the theater. Russell takes advantage of the graphic format to construct strong, detailed backgrounds. The adaptations are drawn in a finely lined classic style that might be compared to Al Foster's Prince Valiant by some readers. His take on Ariane and Bluebeard, Paul Dukas' opera based on a poem by Maurice Maeterlinck, makes full use of its characters' symbolic representation, contrasting light and flames with somber shadows. The Clowns (I Pagliacci), done in black-and-white, begins onstage before moving into the world of the opera and then back to the theater. The Godfather's Code (Cavalleria Rusticana) is directly drawn with little background, its emphasis on portraiture. Parsifal and The Magic Flute contain surreal settings and sweeping landscapes that suggest fantasy comics.Russell acknowledges the Danish illustrator Kay Nielsen, who participated in the making of Disney's Fantasia, as an influence. An even bigger influence was the American artist Eyvind Earle, who contributed backgrounds to Disney's Sleeping Beauty. "I saw that when it first came out, and it had a profound influence on me. It was like a history lesson. Earle's influence was medieval painting and Persian art, and those square trees and sharp angles in [Sleeping Beauty's] forest just captured me. I've probably consciously tried to draw like him more times than I'll admit."In addition to his occasional work for Marvel and DC -- he did Batman: Hothouse in 1992 -- Russell is known for his fantasy-based Elric series (based on the tales of English novelist Michael Moorcock), done for a number of publishers, as well as graphic-novel treatments of Oscar Wilde's fairy tales. More recently he has collaborated with novelist Neil Gaiman on a number of Gaiman's Sandman stories as well as illustrating Gaiman's popular children's book, Coraline. He's just completed the cover for Gaiman's Murder Mysteries, which can be seen at his website, .artofpcraigrussell.com. In the manner of a true music lover, Russell has given each of his works an opus number, a list starting in 1973 and ending last year with 67 entries. Parsifal is Opus No. 5, "The Godfather's Code" is Opus No. 58.Does he still play piano? "It's my fallback career," he laughed.The three volumes of "The P. Craig Russell Library of Opera Adaptations" are published by NBM.Copyright: ___ (c)2013 The Santa Fe New Mexican (Santa Fe, N.M.) Visit The Santa Fe New Mexican (Santa Fe, N.M.) at .santafenewmexican.com Distributed by MCT Information Services迷你倉

epaper.gmw.cn/gmrb/images/2013-08/03/06/2013080306_pdf.pdf...《 光明日報 》（ 2013年08月03日 06 版）當今，存倉在有關神奇模擬的應用領域，還有什麼比讓你的手機或電腦識別人類語音、動作和視覺、聽覺線...

據新華社北京8月2日電（記者/趙超 華春雨）打開1日推出的北京地區網站聯合闢謠平台網頁，新蒲崗迷你倉最先映入眼簾的是“曝光台”欄目，由各大網站提供的數十條闢謠信息不斷滾動發佈。這些闢謠信息從哪裡來？經過怎樣的過程匯集于此？除了發佈闢謠信息，平台還有哪些功能？帶著這些問題，記者對闢謠平台運行機制進行了一番探究。打造最大謠言曝光台據千龍網總裁黃庭滿介紹，現在闢謠平台處於第一階段建設期，將陸續設置曝光台、首度回應等欄目，還有北京網絡媒體推出的打擊謠言產品展示、網民互動討論等欄目，也會發佈破解網絡謠言基礎知識、網絡信息傳播相關法規等內容。針對北京市範圍內熱點事件的傳聞、謠言，千龍網將以“首度回應”方式予以追訪。據瞭解，闢謠平台在8月底完成第一階段建設後，將用一年時間進行第二階段建設。黃庭滿表示，這一階段闢謠平台將陸續推出謠言粉碎報告、謠言有獎舉報、謠言分級評估、防忽悠互動遊戲、謠言識別測試等特色欄目，通過開發娛樂性和互動性的新功能，達到用闢謠信息教育網民、增強網民媒介素養的目的。為斬斷謠言注入“技術流”為闢謠平台提供技術支持的搜狗搜索，可以將各網站闢謠信息數據庫實施對接共享，然後在闢謠平台上採用統一風格進行發佈，各網站謠言舉報受理平台在核實舉報內容後，也會直接傳送到闢謠平台上進行發佈。搜狗搜索副總裁茹立雲說，他們還將提供圖片識別、自然語義理解等技術支持，及時對曝光台的闢謠信息進行補充校正，不斷提升平台的闢謠能力。識圖搜索技術在其中發揮了重要作用。比如在今年4月雅安地震中，一張很多傷員躺在地上的圖mini storage得到大量轉發，引發很多網友對雅安災情的擔心。但經過識圖搜索的鑑別，這張圖片在2008年、2010年多次出現在各個論壇，並非雅安地震圖片，謠言就此止于真相。闢謠平台第二階段建設中，搜狗搜索將優化整合數據，利用聯盟成員網站打造闢謠信息數據庫的分發網絡，建立起覆蓋個人電腦、移動互聯網的立體化、高效化信息傳播渠道。也就是說，闢謠平台最終將實現網絡謠言一經核准，就會在網絡的各個角落無所遁形，徹底改變A網站查封B網站傳、這個月闢謠下個月重來的謠言傳播現狀。闢謠“第一戰場”參與平台建設的其他網站在闢謠方面可謂各有所長，並有著與網絡謠言“作戰”的豐富實踐，構成了闢謠的“第一戰場”。建立于2012年5月的新浪微博公約體系是中國首個微博社區公約。社區公約明確了微博用戶的權利、用戶行為規範及社區管理機制，並建立了公開透明的違規處理機制，成立了對用戶舉報和上訴進行判定的社區委員會。公約體系運行1年多來，微博社區管理機制共接到用戶舉報超過1500萬次，處理用戶糾紛及不實信息200萬次，超過20萬人次被扣除信用積分。創辦于去年6月的搜狐新聞“謠言終結者”則代表著門戶網站在整治謠言方面的努力。搜狐集團副總裁、搜狐網總編輯兼搜狐視頻COO劉春說，“謠言終結者”從誕生至今已經粉碎了近300條重大謠言，欄目的單期點擊量超百萬，這也讓該欄目成為目前門戶網站中的“闢謠先鋒”。此外，網易、百度等網站則將反垃圾郵件系統和打擊虛假網頁和虛假站點等作為各自的“主戰場”，使闢謠平台得以從各個方面打出“清剿”網絡謠言的“組合拳”。self storage

百度他人商標鏈接自己網頁侵權公司被判賠付3萬元本報訊（記者李亦中 通訊員魏璐 實習生趙忱）武漢天天婚紗攝影公司（化名）將他人商標作“關鍵詞”，迷你倉庫百度搜索後鏈接至自己公司網頁。商標擁有者將該公司及百度公司告上法庭。江岸區法院昨日透露，這是我市受理的首例百度搜索推廣服務的商標侵權案。2011年5月，從事婚紗攝影、擁有“皇宮”商標專用權的全能公司，在百度上輸入中文商標“皇宮”關鍵字後，搜出的網站鏈接竟指向競爭對手天天公司的主頁，遂將天天公司、北京百度公司和武漢百捷公司（百度網站的運營主體及其推廣業務的服務主體）一同告上法庭。全能公司認為，因天天公司參與了百度提供的“關鍵詞廣告”服務，購買儲存“皇宮”或“武漢皇宮”這一關鍵詞，導致該鏈接甚至排在了真正的“皇宮”網站之前。天天公司未經許可，不正當使用全能公司商標，百度公司幫其實施侵權，讓網民誤認為搜索出的是全能公司網址而錯誤點擊，因此，三被告共同侵犯其商標專用權並構成不正當競爭。百度公司接到訴狀後，及時屏蔽了“皇宮”的侵權鏈接。天天公司稱，未將“皇宮”商標作為商標使用于商品或服務上，不屬侵權。江岸區法院審理認為，天天公司這種在相同服務的商業推廣活動中，使用與全能公司註冊商標近似的商業標識，構成對專用權的侵犯，應承擔賠償經濟損失並支付合理開支的侵權民事責任，判決天天公司賠償全能公司3萬元。百度公司因及時屏蔽相關鏈接而免于賠償。新蒲崗迷你倉

愛好旅遊的人，迷你倉出租大抵可分成兩大類型。一類出發前仔細翻查目的地資料，一任山水名勝、吃喝玩樂，通通不放過。一類是閒雲野鶴，如懶散人，隨遇而安。我好旅遊，年輕時，未流行自由行、背包客，且限於時間不多，只得跟團，任人安排，按行程表趕�流水跑。但也爭取某些縫隙離團逛些小街窄巷、庶民市集，或乘坐一趟當地公車。林語堂在《生活的藝術》一書中說：「預定旅程的旅遊，猶如刻板地上課。真正的旅遊是忘其身之所在，忘其本來面目，沒有任何目的。……真正的旅行家必定是個流浪者。」他引金聖歎評《西廂記》的話： 「胸中的一副別才，眉下的一副別眼。」我想所謂別眼，就正是他嚮往的「觀虛無」： 「特地去看某景儲存倉反而看不到甚麼景，觀虛無反倒能看到許多事物。」我在京都住了一年，儘管心中有川端康成《古都》一年四季的風景在，可是畢竟沒有如今的詳細資訊可稽，連好的地圖也沒一張，只好順�書中所�名所、節日而行，就這樣遂成就了一副別眼。例如本想去西陣看和服，到門前才知道入場券很貴，窮學生應付不來，就在周圍閒蕩。誰料轉入小巷，竟聽到從來未聽過的一種聲響，在矮簷下，木窗內傳出，探頭一觀，有老婦人在屋內低頭織布。「唧唧復唧唧，木蘭當戶織」的機杼聲，原來隔了千年，我在東洋小巷初聽。那一初遇驚喜，非同小可。別眼必須有靜心、閒情。匆匆趕路，或瘋狂玩樂，吵鬧妄動，都難具一副別眼，宜珍惜。小思星期六日見報迷你倉沙田

環遊世界是不少人的夢想，存倉今個夏天，新世紀廣場將助你圓夢，除為你度身訂造快樂旅程，讓你用眼睛去旅行外，更送出精彩旅遊套票及精選禮品。Are You Ready？3大場景 暢遊特色景點今次新世紀廣場舉行的「微旅行．大世界」活動，以3大旅遊主題場景為設計重點，帶領訪客遊歷世界。首先是停泊於MTR樓層的「快樂旅遊專車」，圍繞專車的是廣場於全場超過28間商店精選的逾50件旅遊產品，它們會置於大型行李箱內作創意展示，讓訪客隨心挑選。之後可到訪L3的「奇妙海上巨輪」，小朋友在巨型指南針及地圖的引領下，可一嘗當船長的滋味。而位於L4的「飛躍夢想航機」，則以一座1.8米高的飛機裝置吸引訪客注意，配以飛機機艙及登機顯示牌，讓訪客回憶外遊時一幕幕熟悉場景。而毗鄰的互動行李輸送帶上，則擺放了10個由香港設計學院學生，以不同物料糅合各地特色設計的行李箱，讓你足不出戶也可感受世界各地的風土人情。驚喜獎賞 源源不絕為了將訪客的旅遊狂熱推至高峰，新世紀廣場更推出多重豐富獎賞，當中的「憑飛．起飛」大抽獎活動會送出旅遊套票。繼荷蘭阿姆斯特丹後，你還可以飛到大阪盡情Shopping，又或乘搭郵輪展開4日3夜的高雄海上假期。此外，訪客由即日起至9月1日 （逢星期五、六及日），於場內任何商戶以電子貨幣消費滿指定金額，即可換領由本地插畫自存倉dekanimal設計的旅行禮品乙份，每日數量有限，換完即止。新世紀廣場「微旅行．大世界」日期：即日至9月1日地點：MTR樓層、L3及L4查詢：2397 0790網址：.grandcenturyplace.com.hk新世紀廣場將送出45份精美禮品給《太陽報》讀者，每名得獎者可獲得由本地插畫師dekanimal設計的限量旅行頸枕乙個及化妝袋乙個。問題：「憑飛．起飛」大抽獎將送出哪3個地方的旅遊套票？參加辦法：參加者只需回答問題，連同個人資料（姓名、身份證號碼首4位數字、電郵地址及聯絡電話） 並於8月3日上午9時至下午6時電郵至promotion@opg.com.hk，首45名答中問題的參加者即可獲獎，先到先得，送完即止。得獎者將獲個別通知領獎事宜。參加細則：1. 每人只可參加一次，傳送多過一個郵件或未能提供齊全資料者，恕不受理。2. 有關個人資料只用作是次活動及相關用途，當遊戲結束後，有關個人資料將會被銷毀。3. 東方報業集團、公關公司之員工與其家屬均不得參加，以示公允。4. 獎品不可兌換現金或轉售，若在任何情況下，如獎品需作更改，主辦單位有權作出其他安排及保留得獎結果的最終決定權，參加者不得異議。5. 得獎者將獲專人通知領獎事宜。6. 主辦單位保留更改上述活動之權利而不作另行通知。資料：營業資訊迷你倉新蒲崗

以前讀過一文，迷你倉沙田說芬蘭自殺率最高。原因是冬季漫長，造成人性格的陰鬱，甚至說到他們不愛和人溝通，哪怕只是目光對視……這次芬蘭行卻證明了這都屬不實傳聞。芬蘭人穿�簡單純樸，性格安靜平和，少見高聲喧鬧的人。魚市場的小工，早晨集市的小攤老闆、航船上的水手……都見出工作態度認真。我們住的酒店，接待處女職員永遠笑臉迎人，對每個外國來的旅客不厭其煩地介紹赫爾辛基的景點。芬蘭人的英文大多很好，在街上問路，在商店購物或在車船上，人們都能用簡單英文溝通，懂點兒英文的港人到那兒自由行，無需擔心語言不通。有時我們拿�地圖在街上找路，就會有人主迷你倉價錢上前問有什麼需要幫助的，叫身在異鄉為異客的我們十分感動。芬蘭街道都佇立�名人偉人銅像。從我們的酒店走出去，便是著名的曼納海姆大道，當中高聳�芬蘭國民詩人盧內貝里（可惜我對他一無所知）的銅像。下午三四點開始，人們陸續到此麇集，享受夏日的陽光和慵懶。成群海鷗上下飛竄，爭食食物碎屑。牠們當中最傲慢的，長時間地停在銅像頭頂，大不敬地行方便，叫詩人長年屎尿披頭。芬蘭有一位當代女設計師，她設計的花布縫製成窗簾、桌布、靠墊和其他家居日常用品，是著名北歐設計風中的一個系列，在香港有很多粉絲。芬蘭飛機用的茶杯、餐巾，便是她擅長的圓點圖案。迷你倉庫

【本報消息】運輸工務司司長辦公室訊：澳區全國人大代表在運輸工務司司長劉仕堯的陪同下，迷你倉新蒲崗於本月一日視察了澳門大學橫琴新校區，實地瞭解新校區的最新情況。多位全國人大代表認為新校區具規模，將發揮培育本澳人才的重要作用，實現可持續發展。澳門大學橫琴新校區自七月二十日起依照澳門特別行政區法律實施管轄。為進一步瞭解校區情況，現任澳區全國人大代表李沛霖、何雪卿、林笑雲、姚鴻明、高開賢、容永恩、陸波、崔世平、梁玉華、賀一誠、劉藝良，以及第十一屆澳區全國人大代表劉焯華、招銀英等一行，在運輸工務司司長劉仕堯、辦公室主任黃振東，澳門大學校董會主席謝志偉、校長趙偉等陪同下視察校區，並參觀了學校圖書館、校史展覽廳、文化交流中心、中央行政樓、體育館等。劉仕堯介紹，橫琴澳大新校區是《粵澳合作框迷你倉出租協議》下一個先行先試的重要項目，兩地部門在合作過程中，創新了思維與措施，採取了靈活快速、省時高效的運作方式，驗證了《粵澳合作框架協議》在“一國兩制”下成功推行，為日後其他項目的推進，提供了示範作用及寶貴經驗。同時，澳大新校區將對澳門未來的人才培養、促進本澳長遠可持續發展及經濟適度多元發展均有關鍵作用。由於校區尚在驗收及後續裝修工程階段，校區短期內仍實施工地式管理，便於校園整體聯動調試、修整、驗收和搬遷等各項工作，稍後才能全面開放。隨後，趙偉介紹校區整體佈局及各項設施等情況，以及澳門大學未來的教學政策。澳區人大代表普遍認為新校區具有一定規模，隨著澳大師生的逐步遷入，相信為澳門高等教育的發展注入新動力，完善高等教育的建設，培養多元人才，為實現可持續發展奠下更堅實的基礎。儲存倉

每次路過北角油街及電氣道街角那座紅磚黑瓦的「地標」建築物，文件倉一直好奇想進去看看。最近這幢被列為二級歷史的百年建築變身成藝術空間，終於可進去瞧瞧。　　翻閱一下歷史，這建築群前身原是臨海而建的香港皇家遊艇會，自上世紀三十年代遷出後，成為政府物料供應處倉庫，也曾短期租用予藝術團體，如今再起動實在令人興奮！　　當日從電氣道那邊走過來，喜見閘門點綴�繽紛的「樂活輪」（見圖），是理工大學設計系學生與一班婦女為迎接「油街實現」重開而創作，利用了棄置的物料循環再生，展示婦女生活中的喜怒哀樂。　　踏足枕木入口的「油街實現」範圍，最驚喜是戶外一片青�草地，突然霧水從大樹不同方位噴灑，原來是今次展出的藝術家之一原弓的造霧存倉置。展覽廳至八月中，正展出四位藝術家對海水轉化作主題的演繹，為藝術空間發展掀開序幕。政府期望此地成為年輕藝術家和策展人的搖籃，大家都抱有同一願望。　　站在戶外「綠息」空間，大家可隨意欣賞建築物的一磚一瓦，又可欣賞圍牆上的鹹水草雕塑，是梵高的《向日葵》再現，而向海那邊的「直立式花園」則是學生利用膠瓶和植物的趣味社區創作。　　屈指算算，過去一段時間也去過不少古�變身的建築，由荔枝角醫院變身的「饒宗頤文化館」、金鐘前英軍軍火庫變身的亞洲協會藝術館等，不久前又踏足前皇家空軍基地軍官俱樂部的浸會視覺藝術「啟德校園」，都是各具特色的好去處呀！逢星期六刊出文、圖：JoyceJoyce.yiyi@gmail.com自存倉

　【特訊】澳門國際機場7月份的交通量穩健增長，迷你倉出租客運量及飛機起降量又一新突破，單月客運量超過44萬人次，較2012年7月上升5%；飛機起降量超過4,200架次，同比上升15%。暑期一直是航空旅遊的旺季，今年7月份的客運量增長尤其顯著，主要受本地居民暑期外遊及來澳遊客不斷增加的帶動，當中以往來東南亞及中國大陸的客運表現尤為理想。　今年1月至7月，機場的客運量錄得超過280萬人次，飛機起降量超過2萬7仟架次，分別較儲存倉年同期上升約13%及20%。澳門國際機場在航線發展上亦有新突破，於本年8月10日，廈門航空將開通天津-廈門-澳門每日航班。隨著北方地區航線的增加，將進一步拓展澳門飛往中國大陸的航線網路。　澳門國際機場為了進一步提供多元化服務給旅客，除了早前在機場離境大堂放置的虛擬旅客助理，為旅客提供機場相關信息，現在機場也計劃在離境禁區設置兒童遊樂區，繼續運用資訊科技，充分使用機場空間為旅客帶來新的感受，推動虛擬化機場發展。◇迷你倉沙田